ZEBRA 2 SYNTHWAVE HOW TO
ZEBRA 2 SYNTHWAVE MANUAL
ZEBRA 2 SYNTHWAVE PATCH
ZEBRA 2 SYNTHWAVE FREE

Set Tune (global transposition) to zero.

Load the Tri-Saw-Pulse oscillator module preset, select Wave #1.

Perhaps I am slightly synaesthetic, but playing the FMO-based fin instead of HP-filtered triangle or Wave #1 from initialize makes my cheap-and-cheerful plastic keyboard feel more вЂsilkyвЂ™.

ZEBRA 2 SYNTHWAVE PATCH

You might say вЂњa triangle is a triangle is a triangleвЂќ, but when synthusiasts hotly debate the merits of this or that filter, surely the same kind of passion should be applied to the root source of most synthesizer sounds-the oscillator and its waveform? I have not actually taken a peek at the spectral composition of the fin wave, but looking at the waveform in an oscilloscope reminds me of a high-pass filtered triangle.ДЄlthough the latest initialize patch includes a kind of fin (Wave #1), this tutorial video shows you a method that uses an FMO (FM oscillator)-which is how I originally stumbled upon that waveform. Only a small fraction of parameters actually available in those few modules were adjusted here-so try all the others and see how far you can take the sound without adding any more modules. Note that these steps do not slavishly follow details of the TB303 hardware. Automatically sweep Cutoff using a slow LFO.Switch it to Wedge mode, turn up Depth, accentuate the high frequencies.Add some FilterFM (the input signal itself modulates cutoff).Set medium cutoff, high resonance, plenty of overload.Change the filter mode to standard XMF and the primary filter model to LP2 (2-pole Low Pass).Add a filter (in this case an XMF) after the oscillator.Change oscillator waveform to something even brighter-narrow pulse.Add Glide, change the glide mode from time (constant time) to rate (constant rate).Change the Voice Mode from poly (polyphonic) to legato (monophonic).

ZEBRA 2 SYNTHWAVE HOW TO

you learn how to make the most of Zebra2.

ZEBRA 2 SYNTHWAVE FREE

you leave more free modules for future tweaks / additions.your patch is relatively easy to understand (e.g.your patch is not unnecessarily CPU-hungry.Make a habit of using no more modules than you really need, so thatвЂ¦ just because they are available is not such a good idea. Trying to avoid getting Serum, but never say never.Filling the grid with little red blocks may make the patch seem more interesting, but adding modules without a specific purpose i.e. But.Expanse for Reason has my eye because it can load all of the Serum wavetables. So If I had to pick 3 it would be Zebra, Lush 101 and Europa. I've become a little bit of a synth whore and I'm using way too many. Put it head to head with Zebra's waveshaping capabilities and Europa can do a whole lot more but it takes some work to get it to sound really good. Complex-1 is hands down one of the best sounding synths I've used. Still using Lush 101 for its supersaw feature though.ДЄlso, I've invested into getting Reason synths moving. With the purchase of Zebra my beloved MPowersynth is getting no love these days.

No matter how deep you program it, and how far you go it just gets better and better.

ZEBRA 2 SYNTHWAVE MANUAL

Took me like a day of reading the manual to get the hang of it but I got to say it has some life to it. Reading what I said, I've got some updates. I am thinking of returning to Serum or saving up for Omni. I was also considering Omnisphere, though it is quite expensive I heard a lot of praise on it. But I can see it being possibly capable of even more than Serum (?)Дiva had amazing sounds, the presets alone just had me playing around so much with it, so beautiful.however I prefer something like Serum or Zebra where it gives you more depth in the sound design department, more options to make your own sounds, I don't want to rely too much on presets. Zebra looked to be really deep, but nowhere near as intuitive as Serum.

It's the one I had the most fun using and the one I used the most out of the 3. Serum I really liked how super intuitive it was with its amazing GUI. I have used stuff like Serum, Zebra, Diva in the past. stuff like that I guess, but not just limited to those.Д¬ool ambient sweeping organic sounds maybe, mixed with some nice plucky arpeggios, and all kinds of dramatic, cinematic, cool electronica. Hey guys, I would like to do cyberpunk, cinematic, ambient, underscore, dramatic, futuristic type of stuff, and currently I actually don't really have a soft synth.ДЇor reference I'm thinking Deus Ex Human Revolution/Mankind Divided, Tron, etc.

Zebra 2 synthwave