BUCKETHEAD CRIME SLUNK SCENE SONGS MOVIE
BUCKETHEAD CRIME SLUNK SCENE SONGS FULL

Still, the entire album after вЂњSoothsayerвЂќ is so experimental it could potentially alienate casual listeners and non-musicians who are not familiar with BucketheadвЂ™s highly original technique. вЂњMecha GiganвЂќ and вЂњSlunk Parade,вЂќ the final two tracks of the album, are largely forgettable demonstrations of BucketheadвЂ™s astonishing command of his instrument. The rest of the song sustains this insight as the masked man pulls out all his techniques-tremolo effects, slap guitar, bluesy lead playing, and lightning fast riffs that would make the likes of Dream TheaterвЂ™s John Petrucci look twice. The album segues brilliantly into вЂњElectronic Slight of Hand,вЂќ employing a tapping riff that showcases BucketheadвЂ™s shred guitar prowess once again. In вЂњWe Can Rebuild Him,вЂќ Buckethead again explores his funk-metal roots, fusing fast-paced melodies and percussive riffs with a tasteful use of effects and time changes. SandersвЂќ is a heavy track that focuses primarily on rhythmic work, but has some catchy melodic breaks that keep the song structure interesting. The rest of Crime Slunk Scene is highly experimental. In a genre where showcasing virtuosity is all too often valued over song structure, BucketheadвЂ™s вЂњSoothsayerвЂќ proves that guitar gods (with melodic sensibilities) still exist. Buckethead also manages to avoid the all-too-common pitfall of shred guitarists-the unnecessarily long guitar solo. This track alone is worth the price of the album. Establishing itself with a beautiful clean-toned melodic line, вЂњSoothsayerвЂќ gradually builds in intensity, juxtaposing elementary rhythms with virtuosic melodic phrases evocative of innumerable emotions.

Unquestionably, Crime Slunk SceneвЂ™s strongest track is the nine-minute tour-de-force вЂњSoothsayer,вЂќ a brilliantly crafted piece that is one of BucketheadвЂ™s best compositions ever.

BUCKETHEAD CRIME SLUNK SCENE SONGS MOVIE

As the album plugs on, horror movie fans will feel at home with the track вЂњMad Monster Party,вЂќ an eerie piece where homicidal guitar riffs are fired out through a series of abrasively beautiful effects.

BUCKETHEAD CRIME SLUNK SCENE SONGS FULL

In fact, one of Crime Slunk SceneвЂ™s most laudable features is the painlessness of its changeovers-a notable feat on an album full of such eclectic musical stylings. The transitions between all the songs are relatively seamless. This heaviness continues into вЂњThe Fairy and the DevilвЂќ and вЂњBuddy BerkmanвЂ™s Ballad,вЂќ two tracks in which Buckethead successfully bounces back and forth between distorted rhythmic vamping and crisp melodic riffing. His impossibly fast slap guitar riffs collide with equally mind bending Yngwie MalmsteenвЂ“influenced harmonic runs in a song that gradually evokes the full range of aggressive emotions. Short, catchy, and aggressive, itвЂ™s a great album opener that clips by at a fast pace and seamlessly transitions into the funk-metal track вЂњGory Head Stump.вЂќ Here we see BucketheadвЂ™s funk influences (he is a self-proclaimed disciple of Bootsy Collins and Eddie Hazel) come out in full force. As is characteristic of a Buckethead song, вЂњKing JamesвЂќ has a simple, yet catchy, backing riff that chugs along under the ebb and flow of a technical lead line. The album opens with Buckethead breaking out the whammy pedal on вЂњKing James,вЂќ hitting impossibly high notes that he skillfully brings to life with tremolo effects.

Beautifully engaging and highly satisfying, Crime Slunk Scene takes the listener on a musical journey that combines psychotic shred, ethereal guitar melodies, and BucketheadвЂ™s signature tapping and tremolo techniques into a wonderfully constructed experimental album that is his strongest release since his much-lauded 1998 masterpiece Colma. Perpetually sporting his signature white kabuki mask and his famous Kentucky Fried Chicken bucket hat, the masked guitar virtuoso recently concluded a nationwide tour in promotion of his latest album, Crime Slunk Scene. Starting out as the masked axe-swinger for the bay areaвЂ“based band the Deli Creeps, Buckethead (aka Brian Caroll) quickly established himself as one of the worldвЂ™s premiere guitarists via impeccable technique and an uncanny aptitude for producing face-melting riffs. Buckethead, one of underground rockвЂ™s most eccentric and highly acclaimed avant-garde guitarists, has been lighting up the world of hyper-speed shred metal since the early 1990s.

Buckethead crime slunk scene songs